2.214 file audio bebas royalti untuk "C Note"

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

A short ocarina sample i recorded in my studio. This sample was made to be place into a sampler but you can do whatever you want, the root note is c.

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

Hungarian major scale on C

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

11-tet scale on C. MIDI pitch bend matches intervals.

Prelude in C-sharp minor, Op. 3, composed and performed by Sergei Rachmaninoff. This is Edison Diamond Disc 82187-R, Matrix 6742-C-2-3 [2-1]. Recorded in 1919, released in December 1920. Українська: «Прелюдія до-дієз мінор», написана і виконана Сергієм Рахманіновим, випущена в грудні 1920 року.

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Piano Concerto No. 1 in C major, Op. 15, 1st movement – Allegro con brio

Fantasy in c major op. 15, d.760 “Der Wanderer”, 3rd movement, presto.

waltz by Chopin (Op. 64, No. 2). According to the little book in the CD cover the piano is a "Steinway grand". Paderewski was very associated with Steinway, he and William Steinway together created the program called Steinway Artists.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 4th movement

FREDERIC CHOPIN, THE ETUDES PAN 107 (1810 - 1849) Martha Goldstein, Piano (Erard, 1851) Opus 10 - Twelve Grand Etudes dedicated to Franz Liszt, published 1833 c minor- Allegro con fuoco Supposedly written in Stuttgart shortly after Chopin received news of the taking of Warsaw by the Russians September 8, 1831, this Etude is popularly called The Revolutionary."

Recording of my kalimba tuned to c-major (give or take a few cents), striking the lowest possible note. Recorded on a rode nt1-a through a scarlett 2i2 interface. Noise-reduced for clarity.

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Prélude en Do dièse mineur de Sergueï Rachmaninov (Morceaux de fantaisie, op. 3) joué par Sergei Rachamninoff lui même

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 1st movement.

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 2nd movement, adagio

*19th harmonic on C = E19♭. Just: 19:16 = 297.51 cents. Limit: 19-limit. MIDI pitch bend: 26,63

Piano concerto no. 2 in c minor, op. 18 - i. moderato

Frank C. Stanley's 1910 Indestructible Record performance of "Auld Lang Syne". This is Indestructible Record #1267. "Auld Lang Syne", ein Lied, das traditionell zum Jahreswechsel gesungen wird, in einer Aufnahme aus dem Jahr 1910 Македонски: Шкотската новогодишна песна Auld Lang Syne („Многу одамна“) во изведба на Френк Стенли (1910).

Piano concerto no. 2 in c minor, op. 18 - ii. adagio sostenuto

Impromptu Opus post. D 946 - No. 3 in C major (allegro).

Ossip Gabrilowitsch (1878-1936) plays Johannes Brahms: Intermezzo in C major, Op. 119 No. 3.Ossip Gabrilowitsch (1878-1936) spielt Johannes Brahms: Intermezzo in C-Dur, Op. 119 No. 3.

A ragtime composed by W. C. Handy and recorded by Handy's Orchestra of Memphis in 1917 in New York.

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.